We sadly inform that due to the epidemic of Coronavirus Maciej Kuźmński's 1 month teaching for PERA School of Performing Arts - GAU in Cyprus is cancelled. We wish everyone good health. #stayhome #staysafe
The three women, like in fairy tales, resemble many, but destiny set their course in bitter asymmetry.
First review of Parting Ways was published in an on-line magazine f21.hu.
The retrospective work called MIRROR will be summing up the past 10 rich years of the Eva Duda's versatile work. Together with a new creation by Maciej Kuźmiński Parting Ways the evening will be presented on the prestigeous Budapest Dance Festival on March 9th.
In 2019 Maciej Kuźmiński's works were presented 20 times in 6 contries. We would like to say thank you to everyone involved.
A new website of Fabula Rasa is finished now. See the brilliant photos of Andrzej Grabowski and trailer by Paweł Szymkowiak under this link.
Maciej Kuźmiński succeeded in creating a successful – inspiring and exciting – spectacle by combining Edward Stachura’s prose, music and dance.
Read the full review by Piotr Dobrowolski about Kuźmiński's Fabula Rasa performed by the Polish Dance Theatre
Against the background of patriotically associated music we see a set of motion clichés, which can constitute a satirical image of modern society (not only Polish)
An in-depth review of Fabula Rasa by Polish Dance Theatre has appeared on Poznań cultural website.
I have not encountered such an excellent choreography for a long time
This spectacle is not to be watched. This spectacle is to be discovered.
November 20th at 20.00 in the Great Hall of the Zamek Culture Center in Poznań, we will see the latest work for the Polish Dance Theater - Fabula rasa choreographed by Maciej Kuźmiński. It will be a disturbing, hypnotic journey into the depths of human personality.
Those were full of beautiful people and dance four days at the Polish Dance Platform 2019 in Gdansk!
Plateau website is on-line now. Have a look at the great photos by Aleksander Joachimiak and trailers by Paweł Szymkowiak.
Maciej Kuźmiński was one of the mentors of the second edition of the Ways of Being workshops, organized by Movement Direction in Warsaw from July 12-15.
under constant stress in merciless competition until the world collapses
Michael Scheiner writes about Ampelmenschen for the Mittelbayerishe Zeitung.
Read the whole review of Tanz.Fabrik!Sieben evening under this link
a very intellectual although by no means pretentious, but rather amusingly ironic.
Stefan Rimek reviews Ampelmenshen, along with the whole Tanz.Fabrik!Sieben in Donau Post
Read the whole review here
We are announcing with pleasure that Maciej Kuźmiński has been invited to deliver 1-week Composition Masterclasses at the first Scapino Summer Intensive. The workshops will take place between 15-19 July. More info at
Save the Date to see the latest work by Maciej Kuźmiński for Regensburg Theatre in Germany, - Ampelmenschen. The premiere is on 7th July @ 19:30 as part of the Tanz.Fabrik!Sieben evening in Velodrome Theatre, Regensburg. More performances follow on 12th and 14th July.
The halfway point of this year's Polish Dance Network is behind us. Past achievements and plans for the future are summarized by the network manager, Maciej Kuźmiński in an interview with Joanna Sarnecka for the taniecPOLSKA portal.
Monika Żmijewska reviews Plateau in one of the best known Polish newspapers - Gazeta Wyborcza.
It perfectly accommodated Polish phobias, ills, myths, touched taboos, reaching for unobvious means of expression.
Rozbark Theater may not blaze the way in contemporary dance, but in combination with the words – it makes an amazing impression.
A new review by Jerzy Doroszkiewicz appeared after the Białystok performance that sparked controversy at the Kaleidoscope Festival. Read the whole review in Polish
Comic scenes and monologues that bring to mind the humor of Monty Python’s movies, amuse and worry at the same time
Joanna Sarnecka reviews Plateau for the main on-line dance editorial taniecpolska.pl [eng dancepoland.pl]
a cosmopolitan bigos, deconstructing national symbols, mocking lofty values and great ideals, and at the same time spiced with British humor. […] The performes have no easy task, but they cope well with the demanding scenario – both dance and acting wise.
Magdalena Mirkut-Majeranek reviews "Plateau" for the Theatre Daily. Read the whole review in Polish
A fusion of dance and theatre, an old buffalo in new ballet shoes, a wild boar with wings! It is the combined work of Maciej Kuźmiński and Paul Bargetto, an emigrant director from USA – a high wire balancing act of collaboration, with death defying leaps, will soon land in Rozbark Theatre Tickets on sale now!
Monika Witkowska from Poland danced to present the terrible political situation in her country, especially the attempt to tighten the abortion law, for which she received public applause.
Susanne Wolke in Donau Post
The solo piece "I fought Piranhas" by the Polish choreographer and company director Maciej Kuźmiński was read like a feminist statement, danced viciously and with defiant anger by Monika Witkowska.
Read whole review in German by Michael Scheiner from Mittelbayerishe Zeitung.
The award-winning solo performance for Monika Witkowska will be one of the program's points at the Charity Gala in German Regensburg.
Solo I fought Piranhas will be presented at the Studio Theater in Warsaw as part of the 30th Scene Dance Studio platform. Come see us @ the Studio Theater on 30 October.
More information about the event under this link (in Polish)
Witkowska performs dynamic choreography with technical precision, energy and commitment. The heroine's internal opposition to the situation is palpable, and the will to fight has authenticity, which makes the whole convincing.
Read the in-depth whole review in Polish by Weronika Łucyk
definitely the most interesting is the statement by Monika Witkowska, addressing an important topic (calling it "feminist" would be another condemnation to the sex ghetto, a universal problem), verbal message enriching with a strong, expressive, consciously non-defective movement.
Mirosław Baran after Gdańsk Dance Festival.
review link [in Polish]