A touching review of Every Minute Motherland has been published on a know German portal tanznetz.de by Torben Ibs. It is an evening that leaves the emotions on the stage and invites the audience to watch this meditation on mourning. Everything remains incomprehensible and at the same time directly touching.
Helmut Jasny from Westfälische Nachrichten reviws Every Minute Motherland as The piece, was as oppressive as it was fascinating. (…) Horrific in statement, frighteningly beautiful in artistic execution.
A detailed and in-depth review of Every Minute Motherland by Melanie Suchy appeared on Tanzweb.org The choreography avoids clear descriptions and drama, but relies on the wisdom of sensitive and multifaceted dance, on the superbly attuned group and the audience’s ability to observe and empathize with every minute.
A very sensible review by Justyna Stanisławska on Every Minute Motherland appeared on 20.09 on the country-wide portal taniecpolska.pl . a multidimensional story about what the war does to the human body and human interior, but also how it affects space and time. […] the viewer takes a journey into the deepest recesses of his… Read more »
A great review after the premiere of my body falls lighter at Staatstheater Kassel. In an article titled “The play of the time travelers” Kirsten Ammermüller in Hessisch Niedersächsische Allgemeine writes Kuźmiński uses the most diverse elements of an organic movement language (…) A convincing complete work that appealed to the audience above all emotionally… Read more »
A great review of the first foreign performance of Plateau. Thomas Linden in Koelnische Rundschau writes With epic breadth, but also with many great images, with a cleverly ironic text and a well-rehearsed ensemble that moves like an oiled machine, the spectator is offered a concentrated dose of dance theatre performance.
The three women, like in fairy tales, resemble many, but destiny set their course in bitter asymmetry. First review of Parting Ways was published in an on-line magazine f21.hu.
Maciej Kuźmiński succeeded in creating a successful – inspiring and exciting – spectacle by combining Edward Stachura’s prose, music and dance. Read the full review by Piotr Dobrowolski about Kuźmiński’s Fabula Rasa performed by the Polish Dance Theatre
Against the background of patriotically associated music we see a set of motion clichés, which can constitute a satirical image of modern society (not only Polish) An in-depth review of Fabula Rasa by Polish Dance Theatre has appeared on Poznań cultural website.
I have not encountered such an excellent choreography for a long time