It’s Gonna Rain a “striking choreography of Maciej Kuźmiński”
“[…] The penetrating music of Steve Reich (It’s Gonna Rain, pt. 1) requires so much attention that it takes effort as a spectator to follow the dance. Nevertheless it succeeds, thanks to the striking choreography of Maciej Kuzminski.” – Jennifer Schreurs
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It’s gonna rain in mathematical patterns
“[…] a beautiful scene at the end when all the lamps come down to spy on the dancers piece by piece” – Ruben Brugman
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It’s gonna rain by Kuźmiński “lifts the evening’s light”
“In It’s Gonna Rain Kuźmiński gives Steve Reich’s eponymous composition a funny twist to simple movements such as turning, stepping and walking.” – Annette Embrechts
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It’s gonna rain pastiche
“I loved the pastiche of the Dance of the Little Swans from Swan Lake by three masked dancers.” – Michael Hasted
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It’s gonna rain “dancing animals”
“The man as a dancing animal in a world of rules of behavior and social demands can be seen in It’s gonna rain by Maciej Kuzminski” – Dick van Teylingen
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Archipelago’s “peculiar timelesness” and “contemplative melancholy”
“The work draws the viewer into it’s inner world, subtlely regulating the changes of the mood, reflecting elusiveness of the past and subjectivity of memory” – Hanna Raszewska
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Archipelago a series of “incredibly aesthetic, surrealistic images”
“Delving into this bizarre, non-linear world of Archipelago, a series of incredibly aesthetic, surrealistic images, one can experience the very nature of time” – Joanna Sarnecka
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Difference’s “journey to Cosmos”
“The work doesn’t show off with learnedness but approaches the questions of identity and difference unforced through the means of dance” – Tenka Issakainen
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After Before a “collective body’s practice of presence”
A review of After Before has been published by Svetlana Ulanovskaya after the IFMC festival, where the work has been awarded the I-st Prize.
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Room 40 “one of the strongest performances of the festival”
“Metaphysical elements are expressed through a beautiful, aesthetic movement, making us reflect but without imposing anything. Room 40 definitely belonged to one of the strongest festival presentations – not only among the Polish productions.” – Weronika Łucyk
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Difference and Repetition – review by Hanna Raszewska
“Each part of the diptych could function as an independent whole, being a bodily representation of philosophical considerations. Yet together they successfully form a coherent performance, where the three performers differ enough, to make the repetition intriguing.” – Hanna Raszewska
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Room 40 a “metaphysical treatise on the lack of ethicality of art”
“Room 40, however, seems not only a critique of patriarchy, but a metaphysical treatise on the lack of ethicality of art. […] is also a beautiful story about life, which is permanently marked by the possibility of death” – Alicja Müller
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Room 40 “stunning, extremely beautiful”
“stunning, extremely sensual choreography, the most impressive from Polish performances of the Gdańsk Dance Festival 2016” – Łukasz Rudziński
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Room 40 – “a unique performance”
“Room 40 is a unique performance: challenging our expectations, and perception, yet phenomenally beautiful” – Mirosław Baran
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Dominique a “powerful socio-political statement”
“Dominique is a powerful socio-political statement, coherent on every level, […] delivered in a layered way, which allows it to be accessible to more than just dance audience.” – Hanna Raszewska
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Dominique – “excellently constructed critical choreography”
“Dominique is an example of a excellently constructed critical choreography, which strength lies not in the poetics of shock or excess, but in a smart wit brilliantly performed by Dominik Więcek.” – Alicja Müller
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Room 40 reviewed in Gazeta Wyborcza
“A very interresting visual and aesthetic experience, provoking extreme feelings in the audience.” – Monika Żmijewska
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Dominique “played with humor”
“One of the few solos, that touched on a serious subject – the fragility of identity, and played it with humor.” – Brigitte Jähnigen
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Room 40 – a “brutal challenge”
Room 40 “casts the audience a brutal challenge by the image of the body with its raw physicality and organicity” – Hanna Raszewska
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Dominique “gives an excellent impression”
“The whole gives an excellent impression. [..] This work appears as more than just a solo made for a competition
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