NEWS
Cantos praised in Frankfurter Allgemeine Zeitung, as Eva-Maria Magel notes:
A magnificent evening of dance unfolds […] a densely woven hour of movement, music, and imagery that resonates long, long afterward.
Stefan Benz in Tanz Magazine writes:
Kuźmiński does not merely unleash whimsical fantasy; he also knows how to contain it, displaying a humor capable of cushioning pathos.
Reviewed by Miguel Schneider, Die Deutsche Buehne, Cantos is seen as setting "conditions, rather than theses":
some things linger precisely because they resist quick “understanding” and hold thought in suspension.
Cantos praised by Volker Milch in a local Wiesbaden newspapaer for being an
audience-celebrated production, a meditation on humanity slipping from humanity"
In Frankfurter Neue Presse Katja Sturm writes on Cantos:
It is beautiful to look at, humorous, playful
Sylvia Staude writes about Cantos made for Hessisches Staatsballett in the local Frankfurter Rundschau:
What is striking, given the calm flow of the music, is the astonishing physical language that unfolds on stage.
One of the most respected Austrian dance reviewer Ditta Rudle writes on 'Memoryhouse' in tanzschrift:
What is certain is that Tanz Linz has reached the top of all Austrian dance companies with this choreography and the energy of personal commitment.
Helmut Ploebst writes an excellent review of 'Memoryhouse' for a well known Der Standard:
A 'successful premiere' of 'excellent choreograhy' and 'a real masterpiece by set-designer Gabriela Neubauer'. 'The Linz company has improved even further in quality'.
Andrea Amort in tanznetz acknowledges the choreographic language and Tanz Linz ensemble in 'Memoryhouse' in the latest review of Kuźmiński's work:
Constantly changing image constellations arise, which Maciej Kuźmiński draws with intensive choreographic language. [...] “Memoryhouse” achieves its effect through Tanz Linz’s strong, technically capable ensemble, and creative staging.
In Kronen Zeitung Elisabeth Rathenböck rates 'Memoryhouse' 4,5/5 stars and writes:
'The superbly trained and synchronized together 15-member ensemble explore the origins of dance'. [...] 'explores ways of communicating and feelings in poetic images'
An overall picture of 'Memoryhouse' is drawn in a great review by Barbara Duftschmid for Volksblatt:
The dancers, full of dynamism, strength, concentration and maximum body control, captivate the premiere audience in this deeply demanding production. [...] This is the sixth joint production by Maciej Kuzminski and his dramaturg Paul Bargetto, which the Linz audience celebrates with long-lasting, frenetic applause.
A very positive review of "Memoryhouse" by Karin Schütze at the local newspaper Ost Österreich Nachrichten:
Memoryhouse quickly develops its pull, as if you were yourself washed away in 70 entertaining, intense minutes. in the end there's an enthusiastic applause.
It's 24th of Februray 2023, a year since Russian invasion on Ukraine. To commermrate that we invite you to a premiere screening of Fragments of Resilience - a documentary by Ukrainian director Anna Semenova. The film reveals the creation process and people’s stories behind Every Minute Motherland — a dance performance of Maciej Kuzminski Company, made as a response to the war in Ukraine by the Polish-Ukrainian team.
Both the documentary and the dance work will be screened online on youtube.com/@maciejkuzminski1 for 2 days on 24th and 25th February.
As part of this screening our team helps the Charitable Foundation Concord 3000 to fundraise for internal Ukrainian refugees. Donate via link https://concord3000.com.ua/en#donation and supply forcibly displaced people with basic hygienic products and food packages.
The event horizon duo is already on tour in the Netherlands as part of the Codarts Talent on the Move program. The tour is a result of an award from the Rotterdam International Duet Choreography Competition. See you there!
Dynamic Phrasing is a method of movement and composition developed by Maciej Kuźmiński since 2009. Consisting of 5 pillars - the Loop, Movement Research, Phrases and Repertoire, Floor Work and Task Basket, it is the core of the choreographer's language of movement.
After more than a decade of teaching and developing DP techniques, Kuźmiński introduces two new teachers after a one-year teacher training course.
Meet Monika Witkowska and Paweł Urbanowicz - the new pedagogical talent behind Dynamic Phrasing. If you have a chance to work with them, be sure to take advantage of it.
All those who have taken part in the Dynamic Phrasing workshops in the last 2 years are invited to fill out a short online form. It will take you 5 minutes to share your opinion, but for us it is extremely valuable information on how to improve and develop the form for your benefit.
--> Link to the questionnaire <--
Thank you!
A touching review of Every Minute Motherland has been published on a know German portal tanznetz.de by Torben Ibs.
It is an evening that leaves the emotions on the stage and invites the audience to watch this meditation on mourning. Everything remains incomprehensible and at the same time directly touching.
Helmut Jasny from Westfälische Nachrichten reviws Every Minute Motherland as
The piece, was as oppressive as it was fascinating. (...) Horrific in statement, frighteningly beautiful in artistic execution.
A detailed and in-depth review of Every Minute Motherland by Melanie Suchy appeared on Tanzweb.org
The choreography avoids clear descriptions and drama, but relies on the wisdom of sensitive and multifaceted dance, on the superbly attuned group and the audience's ability to observe and empathize with every minute.