Reviewed by Miguel Schneider, Die Deutsche Buehne, Cantos is seen as setting “conditions, rather than theses”:

some things linger precisely because they resist quick “understanding” and hold thought in suspension.

Cantos sets conditions rather than theses, space emerges for individual readings — as an experiment in drive and inertia, in human and mask, in reflections of our reality that are enlarged and at the same time estranged by the stage image. Not everything becomes tangible, but some things linger precisely because they resist quick “understanding” and hold thought in suspension.

The evening sustains its fundamental mood to the end: trance-like, controlled, eerily beautiful.

You can read the whole review in German under this link
>> link to the full review in German <<

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