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War in my body – Every Minute Motherland review

A very sensible review by Justyna Stanisławska on Every Minute Motherland appeared on 20.09 on the country-wide portal taniecpolska.pl . a multidimensional story about what the war does to the human body and human interior, but also how it affects space and time. […] the viewer takes a journey into the deepest recesses of his… Read more »

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Every Minute Motherland – a Polish-Ukrainian dance premiere by Maciej Kuźmiński

Maciej Kuźmiński dedicates his new performance to the refugee movement. The minimalistic yet powerful dance piece under the title Every Minute Motherland was influenced by the war in Ukraine and developed by the Polish-Ukrainian team, including refugees, who shared their professional and first-hand war experience. The premiere will take place in Gdansk on August, 25… Read more »

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my body falls lighter “goes far beyond modern dance theater”

A great review after the premiere of my body falls lighter at Staatstheater Kassel. In an article titled “The play of the time travelers” Kirsten Ammermüller in Hessisch Niedersächsische Allgemeine writes Kuźmiński uses the most diverse elements of an organic movement language (…) A convincing complete work that appealed to the audience above all emotionally… Read more »

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Premiere at Staatstheater Kassel

We are thrilled to announce the Premiere of the latest work of Maciej Kuźmiński with Staatstheater Kassel dance company and Orchestra – my body falls lighter. The tickets are on sale!

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Welcome to Polina Bulat

We are very happy to announce that Polina Bulat joins our production team as producer and manager. One of the goals is to include Ukrainian dance artists in our upcoming work with her help. Welcome!   More about Polina you can read here

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Newsletter #40 – This is the beginning

Read the latest from Maciej Kuźmiński – a new work for the Staatstheater Kassel, goodbye to the Polish Dance Network and a development of Dynamic Phrasing. Newsletter available under this link

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Plateau’s “epic breadth”

A great review of the first foreign performance of Plateau. Thomas Linden in Koelnische Rundschau writes With epic breadth, but also with many great images, with a cleverly ironic text and a well-rehearsed ensemble that moves like an oiled machine, the spectator is offered a concentrated dose of dance theatre performance.