Witkowska performs dynamic choreography with technical precision, energy and commitment. The heroine’s internal opposition to the situation is palpable, and the will to fight has authenticity, which makes the whole… Read more »
definitely the most interesting is the statement by Monika Witkowska, addressing an important topic (calling it “feminist” would be another condemnation to the sex ghetto, a universal problem), verbal message… Read more »
“The work doesn’t show off with learnedness but approaches the questions of identity and difference unforced through the means of dance” – Tenka Issakainen
A review of After Before has been published by Svetlana Ulanovskaya after the IFMC festival, where the work has been awarded the I-st Prize.
“Metaphysical elements are expressed through a beautiful, aesthetic movement, making us reflect but without imposing anything. Room 40 definitely belonged to one of the strongest festival presentations – not only… Read more »
“Each part of the diptych could function as an independent whole, being a bodily representation of philosophical considerations. Yet together they successfully form a coherent performance, where the three performers… Read more »
“Room 40, however, seems not only a critique of patriarchy, but a metaphysical treatise on the lack of ethicality of art. […] is also a beautiful story about life, which… Read more »
“stunning, extremely sensual choreography, the most impressive from Polish performances of the Gdańsk Dance Festival 2016” – Łukasz Rudziński
“Room 40 is a unique performance: challenging our expectations, and perception, yet phenomenally beautiful” – Mirosław Baran
“Dominique is a powerful socio-political statement, coherent on every level, […] delivered in a layered way, which allows it to be accessible to more than just dance audience.” – Hanna… Read more »
