By changing the dynamics and other aspects of the movement, Maciej Kuźmiński obtained a clear analogy to the changing mental states of a man. In his choreographic concept, a fundamental difference is found visible in the “social body” and in the “private body.” It was virtually rendered in the “Mazurka”. Against the background of patriotically associated music we see a set of motion clichés, which can constitute a satirical image of modern society (not only Polish), repeating gestures of activity focused on earnings, rigid, stereotypical and mechanized.

Barbara Kowalewska, kulturaupodstaw.pl

The four performances made in the past year reminded those forgetful and proved to the unbelievers how impressive the skills of Polish Dance Theatre dancers’ are, creating an excellent, harmonious and trusting team. They only need choreographers able to fully use their potential. Maciej Kuźmiński succeeded in creating a successful – inspiring and exciting – spectacle by combining Edward Stachura’s prose, music and dance.

Piotr Dobrowolski, taniecPOLSKA.pl portal