definitely the most interesting is the statement by Monika Witkowska, addressing an important topic (calling it “feminist” would be another condemnation to the sex ghetto, a universal problem), verbal message… Read more »
“The work doesn’t show off with learnedness but approaches the questions of identity and difference unforced through the means of dance” – Tenka Issakainen
A review of After Before has been published by Svetlana Ulanovskaya after the IFMC festival, where the work has been awarded the I-st Prize.
“Metaphysical elements are expressed through a beautiful, aesthetic movement, making us reflect but without imposing anything. Room 40 definitely belonged to one of the strongest festival presentations – not only… Read more »
“Each part of the diptych could function as an independent whole, being a bodily representation of philosophical considerations. Yet together they successfully form a coherent performance, where the three performers… Read more »
“Room 40, however, seems not only a critique of patriarchy, but a metaphysical treatise on the lack of ethicality of art. […] is also a beautiful story about life, which… Read more »
“stunning, extremely sensual choreography, the most impressive from Polish performances of the Gdańsk Dance Festival 2016” – Łukasz Rudziński
“Room 40 is a unique performance: challenging our expectations, and perception, yet phenomenally beautiful” – Mirosław Baran
“Dominique is a powerful socio-political statement, coherent on every level, […] delivered in a layered way, which allows it to be accessible to more than just dance audience.” – Hanna… Read more »
“Dominique is an example of a excellently constructed critical choreography, which strength lies not in the poetics of shock or excess, but in a smart wit brilliantly performed by Dominik… Read more »
