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Plateau’s “epic breadth”

A great review of the first foreign performance of Plateau. Thomas Linden in Koelnische Rundschau writes With epic breadth, but also with many great images, with a cleverly ironic text and a well-rehearsed ensemble that moves like an oiled machine, the spectator is offered a concentrated dose of dance theatre performance.

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Fabula Rasa an “inspiring and exciting spectacle”

Maciej Kuźmiński succeeded in creating a successful – inspiring and exciting – spectacle by combining Edward Stachura’s prose, music and dance. Read the full review by Piotr Dobrowolski about Kuźmiński’s Fabula Rasa performed by the Polish Dance Theatre

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“social body vs private body” in Fabula Rasa

Against the background of patriotically associated music we see a set of motion clichés, which can constitute a satirical image of modern society (not only Polish) An in-depth review of Fabula Rasa by Polish Dance Theatre has appeared on Poznań cultural website.

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Plateau “makes an amazing impression”

Rozbark Theater may not blaze the way in contemporary dance, but in combination with the words – it makes an amazing impression. A new review by Jerzy Doroszkiewicz appeared after the Białystok performance that sparked controversy at the Kaleidoscope Festival. Read the whole review in Polish

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I fought Piranhas danced with “defiant anger”

The solo piece “I fought Piranhas” by the Polish choreographer and company director Maciej Kuźmiński was read like a feminist statement, danced viciously and with defiant anger by Monika Witkowska. Read whole review in German by Michael Scheiner from Mittelbayerishe Zeitung.