This living installation is durational, spread over many hours, allowing the beings to become living sculptures, to fully inhabit a location and provide the public time to contemplate. Their intervention in contemporary reality creates a dissonance and invites the public to engage in a situation where the familiar is suddenly made strange and open to reinterpretation. An important goal is to make visible to the public and encourage them to contemplate the essence of our time - the habits, routines, social norms, behavioural patterns, and, finally, the almost invisible objects that inhabit urban space, like trees or signs.

In the current pandemic environment, where mask wearing and social distancing are mandated policies, the beings also present the possibility of a worse, apocalyptic situation, where helmets and full body suits become necessary for survival.

On the performative level the visitors represent a maximum otherness. Their motivations, and the meanings of their movements are purposefully inscrutable and hidden, and they make no or little attempt to communicate with or directly interact with the public. They are simply present. On this level, the performance brings the public into a confrontation with their own attitudes towards strangers and their tolerance for otherness.